For adults only An 
artistic journey into the world of counterculture, the times of identity
 and cultural revolution at the turn of the 1960s and 1970s. Krystian 
Lupa used the lyrics of “Imagine” by John Lennon as a starting point and
 he asks a question about the liveliness of utopias in today’s world, in
 which spirituality has become commercialized or politicized and 
humanistic values, human rights, equality and personal freedom have been
 devaluated.&nbsp;

The 
director comes back to the psychological and spiritual New Age 
phenomenon and the life and creation of John Lennon, who as a “new 
Christ” of the hippie era suggested imagining a&nbsp;world without wars, 
countries and borders, without hate and ownership, but also without 
religion.&nbsp;Do New Age 
visions sound purely naive in our times? Is faith in an endless 
evolution of humanity and metaphysics a&nbsp; fantasy or an eternal need of 
mankind? Why did the pacifistic idea fail so quickly in the 70s? Does 
the need for a spiritual transformation enhance in times of a crisis?

Imagine | Movie

Audio: PL Subtitles: EN, FR, DE, IT, PT, ES, HR, SE.<div class="mce-content-body">








direction and scenography: Krystian Lupa script: Krystian Lupa &amp; collective creation of actors music: Bogumił Misala costumes: Piotr Skiba production manager: Michalina Dement-Żemła/Karolina Pawłoś video: Joanna Kakitek, Natan Berkowicz director’s assistants and dramaturgy collaboration: Dawid Kot director’s assistants: Jan Kamiński costume collaboration: Aleksandra Harasimowicz stage manager: Iza Stolarska cast: Karolina Adamczyk, Grzegorz 
Artman, Michał Czachor, Anna Ilczuk, Andrzej Kłak, Michał Lacheta, Mateusz Łasowski, Karina Seweryn, Piotr Skiba, Ewa Skibińska, Julian Świeżewski, Marta Zięba.



Co-production of&nbsp;<a href="https://www.powszechny.com/" target="_blank">Powszechny Theater in Warsaw</a> and <a href="https://www.powszechny.pl/" target="_blank">Powszechny Theater in Łódź</a>. The show is realized within the&nbsp;"<a href="https://www.prospero-theatre.eu/project-extended-theatre/" target="_blank">Prospero. Extended Theater</a>" international project, thanks to the support of 




the “Creative Europe” program of the European Union. We would like to thank ATM System for renting equipment for recording film materials for the performance. 


</div>

Calderón is directed by Fabio Condemi, one of the most interesting young Italian directors, already a winner of a Ubu Prize. Condemi has worked on Pasolini in 2019 too, conceiving and directing an amazing monologue inspired by Pasolini’s film scripts. &nbsp; Calderón is a tragedy in verse inspired by the masterpiece of the great seventeenth-century author Pedro Calderón de la Barca, Life is a Dream. But the atmosphere, the plot, the context are radically different: we are in Francoist Spain of the 60s, between evolutionary&nbsp;uprisings&nbsp;and&nbsp;logic of power&nbsp;that seem to leave no other space for freedom than in dreams&nbsp;or in the painting of Diego Velázquez.&nbsp; Pasolini’s is in fact a ruthless and lucid x-ray of power, of its way of renewing itself and remaining very ancient, of its changes and its strategies. A labyrinthine text in which multiple levels and traces coexist in a continuous and very rich interlocking game. Traces that make Calderón a very dense text in which viewers are called to question deeply about our being in history. A text that through dreams desperately questions reality.

Calderon| Movie

Audio: IT Subtitles: FR, ES, HR, PL, PT, SE, EN, DE by Pier Paolo Pasolini direction set and costume conception&nbsp;Fabio Condemi with (in alphabetic order)&nbsp;Valentina Banci, Matilde Bernardi, Marco Cavalcoli, Michele Di Mauro, Carolina Ellero, Nico Guerzoni, Omar Madé, Caterina Meschini, Elena Rivoltini, Giulia Salvarani, Emanuele Valenti set, image dramaturgy&nbsp;Fabio Cherstich costumes&nbsp;Gianluca Sbicca light design&nbsp;Marco Giusti sound design&nbsp;Alberto Tranchida assistant director&nbsp;Angelica Azzellini set realized in ERT scenography studio head of scenography studio and carpenter&nbsp;Gioacchino Gramolini carpenters&nbsp;Tiziano Barone, Davide Lago, Sergio Puzzo, Veronica Sbrancia, Leandro Spadola set decorators&nbsp;Ludovica Sitti with Sarah Menichini, Benedetta Monetti, Bianca Passanti, Martina Perrone iron set elements realized by&nbsp;Falegnameria Scheggia assistant to the set project&nbsp;Greta Maria Cosenza costumes realized in the Wardrobe studio of&nbsp;Piccolo Teatro di Milano – Teatro D’Europa&nbsp; technical director&nbsp;Massimo Gianaroli stage manager&nbsp;Lorenzo Martinelli stage hands&nbsp;Rebecca Quintavalle e Davide Lago prop woman&nbsp;Benedetta Monetti head electrician&nbsp;Giuseppe Tomasi sound technician&nbsp;Alberto Tranchida wardrobe&nbsp;Elena Dal Pozzo shootings Alessandro Abate, Luca Gianfrancesco, Enrico Montagna, Lucio Fiorentino video editing and direction&nbsp;Lucio Fiorentino production&nbsp;Emilia Romagna Teatro ERT / Teatro Nazionale, LAC Lugano Arte e Cultura in collaboration with&nbsp;Associazione Santacristina Centro Teatrale within the project “Come devi immaginarmi” (How you should imagine me) dedicated to Pier Paolo Pasolini The performance is realized within the international project “Prospero Extended Theatre”, thanks to the support of the programme “Creative Europe” of the EU &nbsp; thanks to&nbsp;Acondroplasia Insieme per crescere Onlus reproduction of the picture&nbsp;Las Meninas by Diego Velázquez from the Photography Archive of the National Museum of Prado (Madrid)

Instead of following the age-old model by
which theatre imitates reality, director Bobo Jelčić creates a theatre in which
reality and imagination merge. Following the principle of chance and
coincidence, in his projects he collects fragments of events most often not
connected by plot, story or action, thus constructing an open form which is yet
to become a play (a drama). Such dispersive manuscripts allow theatrical
integration and disintegration to occur simultaneously, a process that has
already been applied and practiced in literature for a number of decades.
Jelčić has a unique approach to working with actors, where all of his projects
are the result of collective authorism of the entire cast, based on
improvisation and personal experience. He writes and directs, searching for
contemporary alternatives to classical and conceptual forms of theatre.&nbsp; Show Sorry is designed as a theatrical process in which
research will be radically focused on social issues and emotions based on
people's everyday struggles. In the play Sorry, the director Bobo Jelčić uses a
simple prop to explore life in the theater and theater in life, with a direct
approach in working with actors, shaping a minimal series of events set among
the inhabitants of a small and ordinary town. In this theatrical research, the
actors of the Croatian National Theater in Zagreb and very young actors meet
and together deconstruct archetypal stories about seemingly simple
relationships, such as the relationship between mother and daughter, father and
son, within friendship, first loves...

Sorry | Movie

Audio: HRSubtitles: FR, ES,&nbsp;PL, IT, PT, SE, EN, DE Director Bobo Jelčić
 Dramaturg Mirna Rustemović
 Costume / Stage design Zdravka
Ivandija Kirigin
 Light Design Ivan Lušičić Liik
 Assistant director Patrik Sečen
 Assistant dramaturg Karla Leko
 Assistant costume designer Tina
Spahija
 Production assistants Katarina
Krešić, Josip Gregov
 Stage manager Antonio Mrzlić
&nbsp;
 Cast Jadranka Đokić, Lana Meniga, Melody Martišković,
Marko Makovičić,
Luka Knez,
Lara Nekić,
Vid Ćosić,
Marin Stević,
Alma Prica,
Ivan Colarić Extras: Andrej Drenski, Patrik Sečan
Pianist: Karlo Hubak
&nbsp;
 Co-produced in the frame of
“Prospero – Extended Theatre”, a project co-funded by the Creative Europe
programme of the European Union, whose members are: Théâtre de Liège,
L'Odéon-Théâtre de L'Europe – Paris, Emilia Romagna Teatro Fondazione – Modena,
Schaubühne – Berlin, Göteborgs Stadsteater, Hrvatsko narodno kazalište u
Zagrebu, São Luiz Teatro Municipal – Lisboa, Teatros del Canal – Madrid, Teatr
Powszechny – Warszawa, and ARTE.
 This work reflects only the authors' view and the EACEA Agency and
the European Commission are not responsible for any use that may be made of the
information it contains.

Calderón | Backstage

Audio: ITSubtitles: EN

Calderón is a tragedy in verse inspired by the masterpiece of the great seventeenth-century author Pedro Calderón de la Barca, Life is a Dream. But the atmosphere, the plot, the context are radically different: we are in Francoist Spain of the 60s, between&nbsp; revolutionary&nbsp;uprisings&nbsp;and&nbsp;logic of power&nbsp;that seem to leave no other space for freedom than in dreams&nbsp;or in the painting of Diego Velázquez.

Calderón | Trailer

Audio: ITSubtitles: FR, ES, HR, PL, PT, SE, EN, DE

PROSPERO ORIGINAL CONTENTS

Chez
sa grand-mère, en compagnie de sa fille, Lucie rêve de son métier d’actrice...

Lucie loses her horse | Movie

Audio: FR 
 Subtitles&nbsp;: EN

&nbsp;

Scénario
 &amp; Réalisation Claude Schmitz

Avec Lucie Debay, Hélène Bressiant, Judith
 Williquet, Tibo Vandenborre, Francis Soetens, Olivier Zanotti, Pierre Sartenaer
 

Image
 Florian Berutti

Montage
 Marie Beaune, Jeanne Plassier

Musique
 Maxime Bodson

Son Harry
 Charlier, Audrey Lardière, Aïda Merghoub, Maxime Roy

Scénographie
 Clément Losson

Costumes
 Alexis Roland

Production Les Films de l'autre Cougar, RTBF - Radio Télévision Belge Francophone, Théâtre de Liège

<div id="comp-k8hsnx8y" class="_1Q9if _3bcaz" data-testid="richTextElement">OURAGAN is the story of an absurd night of insomnia. The night of Abdeslam, a pasta delivery man on a bicycle. Alone in his apartment, this disposable worker confronts a form of insidious violence, that of the urban jungle and of social determinism. Drowned in the smoke of his dark ideas, he is looking for his place... when suddenly another Abdeslam appears, who in turn multiplies himself. Is it the beginning of schizophrenia, marijuana abuse or exacerbated fatigue? It doesn't matter. Abdeslam, a quintuplet, at odds with himself, must try to reconcile his different personalities in order to achieve appeasement.For this second show, which he writes and directs, the Belgian artist Ilyas Mettioui (with the collaboration of Zoé Janssens) gathers a quintet of performers with different artistic paths. A text infiltrated with acid humor, associated to a vibrant choreography, opens the doors of intimacy, exposing in what is buried there. // FR //&nbsp;



OURAGAN
 c’est l’histoire d’une absurde nuit d’insomnie initiatique. Celle 
d’Abdeslam, livreur de nouilles à vélo. Seul dans son appartement, ce 
travailleur jetable se confronte à une forme de violence sournoise, 
celle de la jungle urbaine et du déterminisme social. Noyé dans la fumée
 de ses idées noires, il cherche sa place... quand subitement un autre 
Abdeslam apparaît, qui à son tour se démultiplie. Début de 
schizophrénie, abus de marijuana ou fatigue exacerbée ? Peu importe. 
Abdeslam, quintuplé, en désaccord avec lui-même, doit tenter de 
concilier ses différentes personnalités pour atteindre l’apaisement.Pour ce 
deuxième spectacle qu’il écrit et met en scène, l’artiste belge Ilyas 
Mettioui (avec la collaboration de Zoé Janssens) rassemble un quintet de
 performeurs aux chemins artistiques hétéroclites. Un texte infiltré 
d’humour et d’acide lié à une chorégraphie bouillonnante nous ouvrent 
les portes de l’intime en exultant ce qui y est enfoui.</div>

Ouragan | Movie

Audio: FR 
 Subtitles&nbsp;: - 

 
 Écriture et mise en scène : Ilyas
 Mettioui 
 Collaboration artistique et dramaturgie : Zoé Janssens Avec : Egon Di Mateo, Benoît
 Fasquelle (ou Pierre Genicot), Ben Fury, Nganji Mutiri, David Scarpuzza
 
 Création sonore : Guillaume Istace
 
 Création lumière : Christian
 François 
 Impulsion chorégraphique : Ben Fury 
 Regards artistiques : Sarah Brahy,
 Julien Carlier et Simona Soledad 
 Assistants à la scénographie : Zoé
 Ceulemans et Roman Balthazart
 &nbsp;


Production et diffusion belge : Le Boréal Diffusion internationale :
 MAG.I.C&nbsp; / La Magnanerie, Victor Leclère. 

Création et production déléguée : Atelier 210. 

En coproduction avec le Théâtre de Liège, la Coop asbl.&nbsp; Avec l’aide de
 la Fédération Wallonie-Bruxelles – Service du théâtre Avec le soutien du KVS,
 du Théâtre Océan Nord, de L’Escaut, de la compagnie Thor, du BAMP- LookIN’OUT,
 de Shelterprod, de taxshelter.be, de la Wipcoop, d’ING et du Tax-shelter du
 gouvernement fédéral belge.

Utopia | Movie

Audio: SESubtitles: -

In Racine’s Iphigenia,
the world has ground to a halt. As the Greeks were about to set sail for Troy,
the winds have dropped abruptly. Their soothsayer Calchas reveals that the gods
demand the sacrifice of Agamemnon’s young daughter, Iphigenia. Is this the
price the Greeks have to pay if they are to keep their word to themselves and
quench their thirst for power? Or is this pause, and this intolerable way out
of it, a divine warning that the siege of Troy will end up in disaster? In this
strange play, all’s well that, so to say, ends well: another victim’s blood
will be shed, and the Greeks will sail at a stranger’s expense. The winds blow,
the epic picks speed, History marches on. For better and – Racine implies – for
worse. This baroque and tortured classic, not performed at the Odéon since
decades, has inspired Stéphane Braunschweig a production fit for our troubled
times.

Iphigenia | Movie

Audio: FR Subtitles: FR, EN By Jean Racine, directed by Stéphane Braunschweigwith 
Suzanne Aubert : Iphigénie 
Sharif Andoura : Ulysse 
Jean-Baptiste Anoumon : Arcas 
Astrid Bayiha : Doris 
Anne Cantineau : Clytemnestre 
Glenn Marausse : Eurybate 
Pierric Plathier : Achille 
Chloé Réjon : Ériphile 
Jean-Philippe Vidal : Agamemnon 
Clémentine Vignais : Ægine 
 
Designer: Stéphane Braunschweig 
Artistical collaboration: Anne-Françoise
Benhamou 
Costumes: Thibault
Vancraenenbroeck 
Lights: Marion Hewlett 
Sound: Xavier Jacquot
Video : Maïa Fastinger
&nbsp; 
a show created in September 2020 at the
Odéon-Théâtre de l'Europe 
&nbsp; 
a co-production AGAT Films &amp; Cie - Odéon-Théâtre de l'Europe 
with the participation of France
Télévisions 
&nbsp;
a film by Alexis de Favitski performance
recorded at the Ateliers Berthier of the Odéon-Théâtre de l'Europe 
&nbsp; 
Translation and subtitling: Daniel Loayza 
Subtitling: Juliette Caron

CONS PLAY

OUR NETWORK'S MOVIES

Interview with Pontus Stenshäll, artistic director of Göteborg Stadsteater.

Interview with Pontus Stenshäll

Audio: SV Subtitles: EN Interview by Lisa Lindén Cinematography by Kristian Söderström

Interview with&nbsp;playwright Gerard Watkins.

Interview with Gerard Watkins

Interview by Sisela LindblomCinematography by Kristian Söderström

An interview with Ildikó Gáspár, made during her work with "Caligula" at Gothenburg State Theatre 2022.

Interview with Ildikó Gáspár

Audio English Interview by Anna BergCinematography &amp; Editing&nbsp;by Kristian Söderström

Depuis 2015, Caroline Guiela Nguyen intervient auprès de comédiens détenus de la Maison Centrale d’Arles. Elle a imaginé pour eux un conte fantastique. Ni documentaire, ni sujet sur la prison, Les Engloutis est une puissante fiction qui nous place dans un futur proche. Alors qu’une vague a englouti la moitié de l’humanité, des lieux d’attente sont inventés afin de maintenir le lien avec les disparus. Au fil des ans, ceux-ci se remplissent de chagrin et d’espoir. Jusqu’au jour où les disparus reviennent…

 Since 2015, Caroline Guiela Nguyen has been working with detained actors at the Maison Centrale d’Arles. She imagined a fantastic tale for them. Neither documentary, nor subject about prison, Les Engloutis is a powerful fiction that places us in the near future. After a wave has swallowed half of humanity, waiting places are invented to maintain the link with the disappeared. Over the years, these places are filled with grief and hope. Until the day when the disappeared come back…

Les Engloutis  | Short film

Scenario and direction Caroline Guiela Nguyen Script doctor Juliette Alexandre Head of film photography Augustin Barbaroux&nbsp; With Dan
 Artus, Ava Baya, Pascal Chazel, Sheila Coren Tissot, Anthony Costes, 
Sayyid El Alami, Galynette, Violette Garo, Adeline Guillot, Cédric 
Luste, Laure Mathis, Nino, Alexandre Pallu, Jean Ruimi, Esteban Sanchez,
 Michel W., Manon Worms, Léon Zongo 1st assistant director Claudia Lopez Lucia&nbsp; 2nd assistant director Claire Calvi 1st assistant operator Jonas Gayraud Head set sesigner Alice Duchange&nbsp; Assistant set designer Jules Bouteleux Costumier designer Benjamin Moreau Sound engineer Gaël Eléon Chief electrician Colin Lefebvre&nbsp; Chief machinist Pierre Marion-Andrès Stage ManagerAlexandre Kassis Stage trainee Kenza Vannoni Image montage Juliette Alexandre Musical creation Antoine Richard Production Les Films du Worso (Sylvie Pialat – Benoit Quainon) ; Les Hommes Approximatifs

In
 this film, you will dive into the Odeon's heart, its machinery and its 
history. With the actor Moustafa Benaïbout as your guide, you will visit
 the backstage, the underneath, the grill, the stage, the construction 
workshops, the foyer...

The Odeon's other side | Documentary

Duration about 15 min / subtitles in English and French. A film produced, written and directed by the Odeon-Theatre of Europe. with Moustafa Benaïbout.

<div class="mce-content-body">This is a multimedia combination of a civil action, theatrical show, and film.

CENTRALA 
is working with scientists and lawyers on a civil anti-smog bill that 
will allow the introduction of changes in the regulations regarding the 
protection of air purity in Poland. This bill will be a finished legal 
solution, accessible to all that can improve the quality of air in the 
country with their actions. 
 An additional effect of working on that bill and considering the 
problem of smog is the creation of movies with smog in the background. 
The creators use short forms to show the reality in which a walk in a 
park brings a life threat. 
 Because polluted air changes everything, even if you pretend that all 
is well and there is no problem. Because smog is a fact. This is what 
life looks like when breathing can kill you.</div>

Cold welded | Films from the smog years

Audio: PLSubtitles: EN Director: Michał ZadaraCast:&nbsp;Arkadiusz Brykalski, Wiktor Loga-Skarczewski, Jerzy Trela,
Barbara WysockaCooperation: Teatr Powszechnt &amp; CENTRALA